The song was always meant to be a CSNY track, but Neil had run out of patience by the "Comes a Time" LP. Human Highway was recorded during the Stills-Young Band sessions in 1976. Three live cuts follow: No One Seems to Know is an aching piano ballad that Neil once described as part 2 of A Man Needs a Maid, it's first class but remains unreleased Give me Strength dates from an earlier ill-fated album called 'Homegrown' (an album that would have also featured Star of Bethlehem, the oldest cut in this collection) and is another lost classic Peace of Mind is heard as an electric rock song played with the Horse and very different from the version Neil released on "Comes a Time".Īnd as a nod to "Zuma", we close with Crosby Stills Nash & Young.
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You can hear the full length version here. Campaigner did make "Decade", but not before losing one of its verses. May have been fine, but it doesn't quite capture the spirit of this earlier version. Whatever the truth, it's a stupendous version of the song, recorded in 1975 with a loose and joyful Crazy Horse. Maybe it was pressed onto acetate as a possible contenderįor "Decade", which Neil was also preparing at this time. Sing the actual "white line" lyric) didn't make the "Chrome Dreams" shortlist, then its continued circulation amongst collectors is something of a mystery. If the version of White Line (here retitled River of Pride, maybe because Neil forgot to We've chosen a select batch of bonus cuts to give you a further taste of just how creative Neil was during this fertile period. Homegrown, for one, would seem to have a little more fire in the guitars. The other six songs from the album were released unchanged on the albums "American Stars 'n Bars", "Comes a Time" and "Hawks and Doves", yet you may still be able to pick out slight differences in the mixes. Powderfinger is performed as an unadorned solo acoustic song Sedan Delivery, a second song destined for 'Rust Never Sleeps' is presented in its pre-punked up arrangement and in many people's opinion sounds all the better for that you'll also find the definitive Stringman, a song not given an official airing until Neil's 'Unplugged' set, heard here in a 1976 live performance enhanced by subtle yet beautiful studio vocal and guitar overdubs Hold Back the Tears is another solo performance, longer and more ghostly than its later remake for "American Stars 'n Bars" Pocahontas is the same performance as the one that made "Rust Never Sleeps", but in its original 'naked' mix Too Far Gone wouldn't be officially released until the "Freedom" album in 1989, yet here's a version from 14 years earlier with Poncho Sampedro adding a tasty mandolin part. Titles will be more than familiar to you, but actual the performances may surprise you. Tracks 1 to 12 of this compilation are thought to be the unreleased "Chrome Dreams" album, readied for release weeks before Neil recorded those country hoedowns and rethought his strategy.
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Fun stuff to be sure, but had Neil committed the latest in a series of difficult to explain career suicides? Who else, except maybe Bob Dylan, would sit on a stash of such quality songs and not let the public hear them? When "American Stars 'n Bars" was released in 1977, Neil had scrapped most of the material he'd been recording since late '75, replacing much of it with a series of rough hewn cowboy songs. That solo album was a work in progress throughout this period. Some of us may feel that the "Long May You Run" album with Stephen Stills robbed us of the natural successor to "Zuma", but Stills always suspected that Neil was holding back his best stuff for his solo album. More great songs were put down on tape, such as Will To Love, Stringman and Campaigner. Lots of these songs would remain unheard by the public until quite a while later, but by late '75 Neil had already written and recorded versions of such future classics as Like a Hurricane, Powderfinger, Sedan Delivery, Pocahontas and Ride My Llama. Sometimes he recorded solo and sometimes withĬrazy Horse. By the end of the Summer, "Zuma" was finished, though still not released, yet Neil carried on recording his new songs. Neil Young was on a creative high in 1975.